To most major Third Parties anyway, except for Bethesda, we/I think you are cool especially considering you put gyro aiming in Doom Switch, which I appreciate. Anyway, why state the painfully obvious besides trying not to make this site not look dead? It’s because it’s extremely aggravating to watch, least of all Capcom deciding that Resident Evil 7 can come to Switch, except with a catch.
A very, very big catch. It needs to be cloud streamed all the damn time. One must ask what is even the point; it’s like Capcom is trying their hardest not to make their Switch games a success from not including Ultra Street Fighter V in the the Switch version of Street Fighter Anniversary Collection, undershipping and sitting on Monster Hunter Double Cross (sorry, I am not calling it by it’s localized name because I prefer that one better) for a year and releasing it when Switch Online shows up in September.Continue reading “Sorry Switch owners, we don’t matter to Capcom (and most third parties)”→
I like talking about video games, but I also like talking about hilarious and/or stupid bullshit that you sometimes don’t think is important, but actually is. Today, I am putting on my gaming historian glasses to talk in-depth about an aspect of video games we sometimes think is always a good thing, and it is! Most of the time. Great sale figures!
Pretend you are a game developer and a game publisher. Yes, both. We’re not counting self-publishing such as indie titles, because most of my examples I will present in this piece are major video game releases. Say you are a game developer who spent two-plus years working ungodly man hours and your publisher gave you millions upon millions of dollars to make a video game. You can either succeed massively, mildly or just fail. Such is the way of this gaming industry. But hey, if you made a great game and it sells very well? Good for you! You not only received tons of praise, you could probably make any game you want for the same budget, sequel or original game!Continue reading “The MGS2 Effect”→
Amidst all the Zelda cheering and Joy-Con rumbling, Nintendo slipped a less exciting piece of news into their Switch event. There will now be a yearly fee if you want to play games online, a new service for Nintendo. It’s a tough pill to swallow for a userbase used to playing online for free. Now that we’ve all gotten over the kneejerk response and loosened our grip on our wallets a bit, I thought I’d bring up some discussion about this new structure.
The release of Super Mario Run on iPhone has sent shockwaves through the mobile gaming community. Lattes have been spilled all over the world and sideways caps have been adjusted forward, as hipsters are faced with the social dilemma of paying money for a videogame.
It’s been a pretty good year. Not a great one, but pretty good. We’ve seen some heavy hitters on 3DS with Fire Emblem Fates and Kirby Planet Robobot, and intense console action with Star Fox Zero and some memorable Splatfests. Dragon Quest 7, Federation Force and Color Splash are brand new games that just released with tons of content. Pokemon Sun & Moon is right around the corner, and set to be the biggest Pokemon adventure yet. Despite a handful of 3DS games though, next year looks a bit empty. It’s even worse on the Wii U front, with nothing Nintendo-related besides Zelda. Yooka-Laylee is gonna be great too, but there’s an ominous dark void after March. Nintendo has been tight-lipped about NX on a level without precedent. Fans are getting frustrated, confused, and feeling a bit left out.
I have spent the last week trapped in an emotional prison and I can’t take it anymore. I am absolutely fuming with anger after playing through Metroid Prime: Federation Force. It is a well-crafted game, and this is a big problem. Next Level Games have poured tons of resources into what is fundamentally an INSULT to Metroid fans. They’ve wasted 20 hours of my life, and KILLED the Metroid franchise by gutting the structure, butchering the art style, and offending my entitlements as a traditional gamer who has supported Nintendo since the NES.
Thank you for rejoining me after Part 1. As stated earlier, this part will focus on video games in regards to artistic interpretation. So, in order to hide the fact that this part was done months ago and I simply cut a longer article in half so I could loaf for another month, let’s begin. And what better place to start than with the elephant in the room, Fire Emblem.
Fire Emblem: Fates appears to be doing well in America, despite the wishes of a small, yet loud minority of consumers who use social media to harangue Nintendo of America, hoping to boycott the game and see it fail, operating under various protest hashtags. Of course, after the massive success and nearly nationwide sellout (which I can attest to as copies were at the time of writing incredibly hard to find, even in my rural area) they’ve switched gears into becoming “awareness campaigns,” because if it’s one thing Twitter needs more of, it’s useless hashtag slacktivist nagging.
I played about 5 hours of Star Fox Zero today and I’m just so excited that I have to write out these impressions and clear up some things about this game immediately. There’s a lot of confusion going around about the controls and quite frankly, it’s all fucking bullshit. Game journalists spinning this propaganda are a bunch of IDIOTS who can not be trusted to form an opinion, let alone provide one to the masses. Kotaku, IGN, Polygon, the usual clusterfucks that everybody should know to avoid by now have all given this game bad reviews because it threatens their 2 dimensional way of thinking. It’s the same fucking bullshit ZombiU and The Wonderful 101 endured, they see this game as a threat because it’s another heavy hitter on the Wii U that threatens to take their normal games away. I want to throw that mindset in the bin and fucking burn it. There is room for every game to be beautiful. The controls in Star Fox Zero are outstanding, and this game is absolute quality.
Recently EA have spoken in secret about the Nintendo NX and their lack of plans to develop for it. They outlined a bunch of things that Nintendo is required to do in order to be blessed with EA’s fantastic library of quality games. To sum it up, they want Nintendo to “provide a market for sports games” by throwing millions of dollars on sports advertising. They just want a userbase that will buy sports games. Sound fair?
There’s quite a lot of discussion on the internet in the past few days concerning the censorship of video games, pressure from so-called “Social Justice Warriors,” and pressure from so-called “GamerGaters.” The crux of this discussion appears to center around the latest installment of the Fire Emblem series, Fire Emblem: Fates, although there has been other recent controversies concerning games like Dead or Alive Extreme 3 and Fatal Frame: Maiden of Black Water.
Concerning Fire Emblem: Fates, a subquest involving a character named Soleil, who seems to be a female of a bisexual orientation (1 of 3 possible for humans, at least before Tumblr existed), could be romanced by an avatar character of the player’s design. The context of this romance appears to be that Soleil seems to get weak-kneed around cute girls of her type, which lessens her effectiveness in war and impedes her quest to become “smooth,” in her (fan translated at this point) words. The player character concocts a magic potion that makes the imbiber see people in opposite genders (1 of 2, at least before… oh, I already did that joke…) causing Soleil to see people in the opposite gender that they are. This medicine is supplied to Soleil in clandestine means, which to say, her drink was spiked. Hilarious hijinks ensue. This is obviously squarely in 90’s sitcom territory, or something out of the romantic comedy manga Ranma 1/2. The outcome is comical, and at the end the misadventure allows the player avatar to get closer to Soleil and say that she finds interacting with the player character “fun,” regardless of the unawareness of her medication. Who could possibly object?